![]() ![]() ![]() According to the director Raj Sethupathy, a widow is a “bad omen”. I wonder how the makers, first of all, chose to release Billa Pandi for Diwali - considering the amount of toxic masculinity it had. The film revolves around the life of an avid Ajith Kumar fan who mouths loud-annoying lines like, “Thala rasigan-na uyira kudukka dhaan theriyum, uyira eduka theriyadhu”. ![]() But hey, did that group of filmmakers finally make a film? God only knows. This aspiring woman director tracks down one such “interesting character” and pursues him. ![]() Unsatisfied, the producer wants them to think of ‘a novel idea’, and even suggests that they find an “interesting character”. What do they do? They pitch in a “Baahubali-like” story and an “Enthiran-like” story to a producer. Child artiste, Vaishnavi, who plays Nayana makes the strongest impact with that dialogue and also makes that sequence strongest point in Pandiraj's Pasanga 2.A group of wannabe filmmakers try to find a script so that they can make a film. They found another friend outside the hostel, who took them to his wonderful parent birds - mother, a teacher and father, a psychiatrist," narrates Nayana, one of the two main characters in the movie, on the stage welling up like a stream. The two baby birds grew close and one day escaped the hostel. The baby bird found another sad little baby bird like herself, who shared the same story as her. Knowing not what to do with their kid, the parents put the baby bird in a hostel. Taking their word for it, the parent birds took their baby bird to different schools and doctors, but no one could give a solution the parents wanted to hear. So the parent birds of the other 'normal' baby birds pointed out to the parents of the active baby bird that it needs special attention and cure. But the baby bird wasn't like the other baby birds of the community. "There was once a baby bird, a very active one. ![]()
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